Showing posts with label submissions. Show all posts
Showing posts with label submissions. Show all posts

Wednesday, February 3, 2010

If at first you don't succeed...

Yay! I just received a notification that my submission for the June issue of Sew Somerset was accepted! Super excited to have this opportunity. And it feels doubly nice since I didn't make it in last time. I guess try, try again really does pay off!

Friday, October 30, 2009

The First Step

So in 2 more days I leave for Cincinnati to do the step by step photo shoot for my book, Creative Bloom! I'm excited. Then nervous. Then excited. And because the nervous part is there I went organizational crazy and have been trying to plan out every little detail of the next week. Impossible, I've decided, since I've never done this before and can't begin to know how it'll all work. My editor did send me a rough idea; work in the studio from 9-5, one hour lunch breaks to meet staff, and I gather that my evenings will consist of me, prepping for the next day. Doesn't sound so bad- right?

But because I've made it to this step, I looked back today at the first step. And I thought I'd share it with you. Waaay back in November of last year I was working on some article ideas for Stampington when I realized that I had quite a few and it was fairly diverse group. I had wall displays, jewelry, lamps, other home decor, christmas ornaments, and art quilts. In all I'd used the wire and fabric combination I love. Then it hit me that I had enough material for a book. It was a completely audacious idea and I started to think it through. The next few days I wrote an outline, looked at other craft books to find a publisher I liked, and did a little research on what a book usually included. The books I loved were all North Light Books so I decided to find out what I needed to do to approach them. Their website made it easy. They spell out exactly what they look for in a book, an author, and the proposal. Nothing I read excluded me or my idea. In fact, the longer I looked the more I realized that this part, the first step- was completely doable.

THEN, shaking somewhat, I told my husband. I didn't know what he'd say. I'd never done much writing and to suggest a book seemed a little crazy even to me. But he listened, looked at the North Light suggestions, and told me I could do it. That moment changed everything. He thought I could do it. It wasn't just a crazy idea I had. Suddenly, I was excited to give it a try. So, I did. The very next night I wrote up the proposal, the outline, put some pictures together, and e-mailed it off. I heard back the very next morning. The editor who replied was so nice and wonderful about it. She said what she liked, and what she was hesitant about, and made some suggestions. I replied and that was the start of it! Over the course of the next few months I completely reworked the entire proposal, created art samples to send, and changed everything about the outline as the concept of the book became clearer to me.

Last May it all went before the publishing board at North Light and was approved. So that's what, 7 months between my initial idea and my green light. It was so hard to wait! But I know that the timing was God's and that this has all been according to his timeline so of course it happened all as it should. But it's still been a fabulously, crazy ride.

Oh, and in case this inspires any of you.... fwpublications.com/authorguidelines here's the link to the page I found that began this all..... Remember crazy can just be the first look you might have at absolutely amazing!!!

Friday, July 10, 2009

Tinned Treasures

It started as a challenge to my creativity. I'd asked my Dad to pick me up some old lunch trays I'd seen at a garage sale he'd organized. When he brought over the trays he gave me a box of old cookie tins too. Thought I'd want them too. I think cookie tins are kind of pointless and I really had no use for them- but it's my dad and he'd got them for me so I mumbled thanks and tossed them in the garage. But later I was thinking about art and how really we should be able to make amazing art out of anything. So I started to play around with the tins. I did a post a while back with my first experiments altering their finish. I'd crackle painted one and spray painted another trying to see what I had to work with. Then I dropped it to do the book stuff.

So a couple of days ago when I needed to try and quick come up with a submission idea for the next Sew Somerset my eye fell on the tins and I thought I'd give them a try. Anything can be art right? The tin on the right is my first attempt. I really struggled with it at first. I knew I wanted to use some fabric and wire- :) and I knew I needed to include stitching, and because of the depth I thought it'd be cool to have things at different levels. So those were the parameters.

It turned out kind of fun. The central flower is actually fabric petals that I cut, coated with gel medium and then stuck to a mini plastic easter egg. To attach the wire, I used my handy dandy crop-a-dile and punched holes. The little silhouette at left is courtesy of Singlestone Studios. I was trying to channel the whole cameo look.

So there you have it- a little creativity and now I'm looking at the tins in my garage in a completely different light. Thanks Dad!

Tuesday, July 7, 2009

Some Tips for Submitting to a Magazine

Next week is the deadline for two magazines I absolutely love. One is Sew Somerset and I have been completely fortunate that they have included my work in their last 2 issues. My goal was to make it into three in a row. I thought that would fix my wire and fabric work in the minds of the subscribers better than appearing every once in a while. The second magazine is also by Stampington and actually just premiered this June. It's titled Art Quilting Studio. I loved the clean professional looking layout of this magazine. Rather than incorporating any sewn pieces it concentrates on the world of art quilting so it seems to have a more cohesive feel than the first. Sew Somerset is still my personal fave though, just because the projects are all over the place and I LOVE all over the place.

So these two deadlines are then next two goals I'd like to hit. They're on my mind so I thought I'd share my thoughts on submitting.

1-Find the magazine that best fits your work and style. Scope it out and try to get a feeling for the projects they like. For instance, I put more mixed media into the projects I submit for Sew Somerset just because their reader base seems focused on that. So when I created the "believe" mini quilt I added part of an old carpenter's ruler. It pulled the entire piece together and if I hadn't been searching for that little added "something" I might not have thought to include it.
Basically, KNOW THEIR AUDIENCE.

2- Go for Broke! Include an article proposal. It felt completely audacious submitting an article proposal with my first group of work but I figured it was worth it if it put my work in the feature section vs. gallery. Although I would've been thrilled just to have it accepted into the gallery. Published is published! I googled magazine proposals to find the format I should follow. As for topic- did you create a new technique or mix media in a unique way. Is there an interesting story behind the creation of these pieces? Artists love to know what inspires others so telling a little about what inspired you is a great addition to the proposal/article. It also helps if you have 2 or more pieces to illustrate your article idea.

3- See a Need and Fill it. Sew Somerset seems to get less submissions for their wearable art section than the others. You might have a better chance of getting accepted if you tried focusing on a section like that. Could you adapt your work to a wearable format-plus you could be discovering a whole new direction in which to take your work! Fun!

4-Be Different. Don't worry if your work is a little offbeat or a stretch for the magazine. It should fit the general theme per Tip #1 but it's great if it's a little off. The editors could be looking for something a little different to help them expand their look. No one was doing wire and fabric sculptures when I submitted them. I figured they did use sewing techniques so although it might be a stretch that might also be appealing. You never know!