Wednesday, June 29, 2011

Handmade Embellishments 101: Creating Your Own Stamped Cork Stickers

I'm a little partial to the warm natural tone and texture of cork and enjoyed having the opportunity to play around a bit with it when creating the Inspiration Board in my book, Creative Bloom. So as not to waste a whole corkboard with my experimentation I purchased a roll of cork contact paper. What I learned was that painting directly on cork with acrylic worked great but so did stamping. However if I completely covered the cork with paint I lost the warm cork color I liked so much. I ended up keeping the cork background visible by cutting my own stamp and stamping with acrylics while also creating some little accent stickers out of the cork contact paper. Cork on cork is pretty cute but cork in the shapes of butterflies was SUPER cute. Now, a couple of years after my initial experimentation I'm starting to see cork embellishments come out in the scrapbooking stores so I thought I'd show you how really really easy (and inexpensive) these are to make at home.
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Creating Your Own Super Easy Cork Embellishments

Tools and Materials
One roll of cork contact paper (I got mine at Target)*
Scissors or punches
Stamps
Ink (dye pigment or permanent)

Step One: Choose some stamps and stamp directly on your cork surface. If you're using a detailed stamp (such as a photo realistic stamp) you'll want to make sure you really ink up the surface of the stamp. Then press the stamp firmly into the cork. Work on a hard surface for the best impression. If you plan on using a punch to cut out your stamp you might want to make sure you're working right at the edge of your cork as many punches won't allow you to reach very far.

Step Two: Cut around the stamp either with a punch or a scissor. Using a sharp scissor will give you the crispest edge, cork can be difficult to cut with a dull scissor. It just wants to bend. If punching you might want to insert the image upside down with the punch flipped over so that you can position it perfectly.



Step Three: Store your stickers flat as cork does want to break if rolled or folded. To use, simply peel off the backing paper and adhere to your surface. Easy as Pie. :) For the embellishment at right I did add a little twisted wire to the cork image with just a couple of stitches (more detail on this in my book, Creative Bloom). Enjoy!!!!





Detail of Inspiration Board in Creative Bloom
Variations: You can also make some freeform stickers but painting directly on the cork contact paper (like I did with my polka dots), or you can try drawing your own little images directly on the cork with a permanent marker as well. A doodled little robot might be awfully adorable. :)

* You can buy cork on a roll at craft or hobby stores but it usually does not have the adhesive backing. I did find that cork sticks just fine if using a UHU glue stick (apply for complete coverage) or tacky glue.

Tuesday, June 28, 2011

Handmade in Print

The family and I were making the 6 hour return trip from Bismarck, ND this weekend when we decided to stop midway at Fargo for a break. Our usual spot is the Barnes and Noble. As I was quickly scanning titles in the magazine section I ran into a new UK magazine titled Handmade Living. This is the second UK magazine that I've happened upon recently. The other is Mollie Makes. They were both debut issues and both covered different aspects of the handmade life. Sort of a more current and niche-y alternative to Martha Stewart. There are recipes, gardening tips, and how-to's. Glancing through the Handmade Living they had done an editorial challenge using a cheapo IKEA frame. Staff members had each put their spin on it. Cute idea I thought. But feeling a little broke I decided to wait on purchasing it. Plus it didn't scream "buy me".

The other magazine, Mollie Makes, not only shouted "buy me" in great big huge capitol letters but also insisted I take it over to the check out immediately. I adore it. First of all it came with a little kit attached to make this adorable little iphone cozy. It was felt- it came with felt. What's not to love there? Then, it has a section on what's new and hot on the handmade scene. Everything from new product lines from the likes of Ty Pennington and Amy Butler, some really interesting bits about new books, a calender for all things crafty (happening in the UK), a whole article devoted to ruffles, and another to using bobble trim, and a fabulous peak into the home of Dottie Angel. AND get this, that just scratches the surface. It also has tutorials, more little bits of news, upcoming designer bio's, etc. etc. Curious? They have a preview of the issue available online here.

Seriously I am smitten. But it makes me wonder why the UK? Why don't we have something trendy and local like this here? Is there a bigger audience for this sort of thing there? I think I might want to move. But maybe I've just overlooked it- do any of you know of a US lifestyle magazine for the handmade crowd? Please leave a comment if you do know of one, or if you have any thoughts on this. And have a super wonderful day!!!

Monday, June 20, 2011

Sheet Metal Posies

On Saturday I was able to take a class at the Studio at Rush Creek, a coffee shop/art studio near my home. The class was called Metal Ribbon art and was taught by Debbie Isaacson who makes these incredible metal sculptures from metal pipes and sheet metal. At right is an example of her work and the top pic is the piece I made in the class. It was really fun to learn some different techniques and try out some different tools and materials. I learned how to drill holes through metal conduit, how to cut aluminum flashing into shapes, how to use a pneumatic riveter, and how to assemble it all. The instructor is coming back in July to teach a class on Garden Art and I'm going to try to take that as well.
by Debbie Isaacson

What I really enjoyed was using her techniques to make something that incorporates my sense of style. Like any new experience I got all kinds of fab new ideas for my own work. Like sheet metal quilts with stenciled patterns and wire stitching. The beginning part of the sculpture felt a lot like putting a mini art quilt together. Fun new visions of art have been dancing through my head ever since. I spent last night researching how to paint on metal. Spray paint seemed obvious but for a more painterly approach I was thinking I need paint I can mix. Some were using acrylic, some were using oil, but what was really fun looking was the cans of metal Rustoleum I saw someone painting their car with. So we'll see how much it all costs, how much I can figure out, how it will all work, and what I can do with it. But FUN!

I'll keep you updated- but in the meantime I'd like to know if any of you have painted on metal before and if you primed your metal first, if you sanded, what kind of paint you used and on what kind of metal. SO please, if you've any experience with this, please, please, please, leave a comment and THANKS for your help!!!

Friday, June 17, 2011

Summer Summer Summer All the time....

At the Lake
Just last night I was thinking about how quickly this summer is going already. I've really been enjoying this extra time with my son and was shaking my head at myself that I ever worried about the time. Now I'm sitting here with him on my lap as he's telling me "Your name is Jennifer pee pee swift and how come you have such a weird middle name (I don't) and why does that bug want to come in the window, etc. etc..."

At a Cinco de Mayo Birthday party
If you offered to take him from me right now I'd maybe even consider the offer for a millisecond. Boys have this innate ability drive you crazy. It's honed at a young age. They apprentice with their fathers. I'm just saying...


But I am glad that I get to be here to be annoyed. I'm glad that as a stay at home mom I have the luxury of just having him around. Even if it means totally annoying and distracting behavior, it also means trips to the zoo, unexpectedly deep conversations in the car, playdates that turn out to be as much fun for me as for him, laughing over lunch, and all the other little things that get spread out over the days.

Time Flying
SO although I've been totally lax on this blog as of late, I think that the places I have been spending my time, here at home, and with my family- are more important so I'm not going to sweat it. I know that many of you are moms with kids on summer break as well and I guess I thought I'd pop on today to tell you not to sweat it either. These are times that don't last forever.... although at the moment you might, like me, be throwing a big "AMEN" to the end of that sentence. :) Hold in there -and enjoy the summer!
At our first outdoor music concert as a family- FUN!

Wednesday, June 15, 2011

Bathroom Makeover

Before View from hall
Don't you just LOVE before and after's? I know I am a complete sucker for them. Each time I see a fabulous "after" posted somewhere I'm paging back for the "before" hoping it's really really awful. The more dramatic the better. I was always a sucker for makeover movies too. The one's where the girl starts out clumsy, or a little backwards looking and ends up a total bombshell. slight.

After View from hall
The funny thing is that although I'm beyond the need for a  personal makeover reveal I do still LOVE the before and after's of home remodeling. Trolling through sites I found the Ugly Houses website and wow do I have to say I am GLAD GLAD GLAD we hired some professionals to help us with our bathroom remodel. My husband had contemplated doing it himself but just the idea of ripping out and replacing our cast iron tub made him doublethink and look for help. The guys that did the remodel have been absolutely a godsent blessing. SO if you live in this area and ever want a referral just let me know. :)

I've mentioned before that we live in a 1980's split level house and the bathroom is one of those that has the two doors, one from the master bedroom and one from the hall. It's a small space and the floor plan was pretty set because of the space/plumbing etc. So we did what we could, we pulled out the tub and replaced it with a deeper whirlpool tub that fit the same spot. Another huge change is the pocket door that replaced the door to the master bedroom. Because we took out that door we now have a usable wall space next to the tub that holds our towels. Before the towel rack was over the toilet and the bath towels would fall down over the toilet top. Ick. There was no place for hand towels.

 
Icky carpeting

Lovely New Tile
We replaced the icky molding tile in the shower area with travertine we got on sale at our local tile shop. We replaced the mdf vanity that had a fake marble top with a nice new wood one with a travertine top. The wall mirror is gone and a wall mounted medicine chest is in it's place, and the hollywood glamour lighting fixture's been replaced as well. It's all new and it's all lovely and I love love love how it turned out. The biggest change though has to be the floor. I HATED the icky brown carpeting on the floor and the new travertine tiles are a HUGE improvement.  So I am a happy happy girl. I hope you enjoy the little tour. :)
The new vanity area   
Tile close up :)

Monday, June 6, 2011

Product Comparison: Easy Carve Printing Blocks

Recently, I was at the Dick Blick store in my area and they had a make and take using hand carved stamps. There was a little demo about how to carve and then they let you print using some stamps they made. I was curious because I saw three different easy cut blocks. There was a pink, a grey, and the standard cream block that I've used in the past. When I first started block printing, there were only the linoleum or wood blocks available. You had to heat up the linoleum in order to make it a little softer and safer for cutting. But it cooled quickly and the smell of the heated linoleum was a little overwhelming. So when the EZ cut blocks came on the scene I began using those. They weren't as hard to work with as the linoleum and I loved how I could cut the block to any size. However, it has it's limitations. For instance, when you carve with it it gets all crumbly and it's almost impossible to get much detail because of this tendency to crumble. It also deteriorates with frequent handling. I've thought of trying to coat the backs of the blocks with a stiffener after carving, or mounting them on a block, but I'm lazy and usually just stuff them into a drawer once I've cut them and used them. Also, unlike the linoleum which was dangerous because it was SO hard to carve, it's maybe too easy to carve for safety's sake.

So I grabbed one of each type of easy cut block available and went home to give them a try. The grey was very rubbery and I wasn't a huge fan. It was down to the pink vs. the cream and here's the comparisons I made....

1) To begin a stamp I'll frequently sketch out my design on paper with a pencil and then press the paper on top of the block to transfer the design. I tried this technique with both blocks and didn't really see much of a difference. So far so good!

2) Next, on to the carving. I used the same basic design on each block. The pink block required more pressure when carving but I actually liked that. It was less likely to crumble and I was able to cut a lot more detail. You can see in the pic that the cream seems much more crumbly and the lines aren't nearly as good.  When done carving the blocks I decided to use a scissors to cut away the excess block around the image on each block. They each cut just fine with the scissors.

3) On to printing! I used the same dye ink pad for each and stamped them side by side. They both seemed to print the same. The image on the right is much crisper but that's because of the carving and not the application or transfer of ink. They both rinsed off fine, although the cream did retain a bit of the ink color.



4) Durability testing came next. To do this I bent each stamp gently in half. Here's where I saw another big difference. The cream block split and cracked immediately, the pink was just fine. This would be especially important to me if I was carving an over sized image. In the past I've had a real problem with those larger stamps cracking after just a few uses.

The cream block was the E-Z-Cut by Dick Blick, the pink is the Speedy-Carve by Speedball. Both are available from Dick Blick. The Speedy Carve was priced at about $20 for a 9" x 12", the E-Z-Cut is about $17 for the same size. Each block was also available in store in a variety of sizes.


Hope you found this interesting! Happy Carving!!!

p.s: I do have tutorials for carving stamps available- just check under the tutorials tab at the top of the page- Thanks!!!

Tuesday, May 31, 2011

All in a Week's Time....

Newly Released!!
It's been busy around here and in the last week I've...
-Taught a class on my wire flowers at the Studio at Rush Creek (and LOVED meeting the lovely ladies who attended!!!)
-Sighed with anticipation when my advance copy of Sew Somerset came (lots and lots of goodness in there)
-Attended the end of the year picnic at my son's school
-Gone to the hardware stores more times then I'd like  (ok that's a lie I really like going to the hardware store but don't tell my husband... ;)
-Painted lots and lots of beautiful trim white 
-Polyurethaned a door (never done that so it made the list.)
-Started Christy Tomlinson's new e-course, She Had Three Hearts (love it!)
-Raided the craft shelf at my local library
-Painted my newly remodeled bathroom- it's almost finished!
-Took a bath in my lovely new tub
-Wrote an article for CPS gifts issue
-Sent in proposals for a couple of magazines (although that might have been the week before-can't remember)
-Brainstormed ideas for the Sew Somerset deadline coming up in July (thought it was in  June so I got an early start)
at the zoo
-Watched Tron and Tron 2 with my husband (better then I expected)
-Completely enjoyed my son's reaction to the new Kung Fu Panda 2 (he vibrated all the way into the theatre, through the movie, and all the way home- it was THAT good) 
-Went to the Minnesota Zoo and saw the sea otters
-AND got to start reading through my new book, Plaster Studio by Stephanie Lee + Judy Wise (completely lovin' it!)
New book!
*Those were the highlights and what I really really love is that this is a typical week for me. I don't get new books or magazines all the time but I really love how my life is such a mix of home and art.  

The things that really make life good though are the little things, the comments you leave me, the new recipe I tried, the time spent with my son and husband, the fabulous new idea that hit in the middle of the night, and the texts I get during the day from my friends just wondering what I'm up to. It's all so good and I am really so so grateful to be living this life. Right now. Thank you all for being part of what makes it so good. I really really appreciate it. :)

So what have you been up to? Found any cool new art technique? Gone somewhere new? Found something old you just loved? Picked up a killer new book or magazine? I'd love to hear from you- so please leave a comment so that we can know what you've been up to. Thanks!

Wednesday, May 25, 2011

In Search of the Artistic Home

The last couple of days I've spent painting. You see it's the last week my 6 year old has school and I just had to get a project finished up. There's no artistic expression involved in this marathon session, alas, instead I'm trying to finish painting our newly remodeled bathroom, and all the trim for the upstairs of our house so that the remodelers can come back and finish up . I've think I've mentioned before how challenging my house is to me. I told someone years ago that my idea of good interior design is a house that hugs you when you enter it. Which means to me that it's got a warm color palette to envelop you, a mix of high and low ceilings where appropriate, (but not too high), big open windows, furniture you can sink right into, natural elements, and artistic personality. I've been working towards this ideal home for about 10 years now. This is our first home and we've only recently had the funds to fix it up much. Which I have to say, feels phenomenal. It is still just an '80's split level, but it's starting to reflect my aesthetic a LOT more. We have wood floors all over the house now, we put in big white windows, the rooms are all painted in natural colors, with lots of creams and browns. There's a real mix of woods which I like. And slowly but surely we're adding furniture I love. I have of course, got wire and fabric art ALL over the place, but I have a good selection of paintings and photographs too. 

A lot of what is making me feel better about the house though, is the little things. For instance, a couple of weeks ago was my birthday and my mom and grandma bought me some Fiesta Ware. It's the boomerang effect. You like what's new and different from your usual. I used to love the white I got for my wedding, but they do lose something when they're chipped, scratched, and 12 years old. The new dishes are bright, pretty, and make me happy to set the table.

I've also got art everywhere and I really really love that. It's not all my art either, I have a print by Erin Leigh of etsy in my kitchen that was a Christmas present this year (love it!), a she art painting that my mom did (it's the cute mom and daughter one), and my fly decal from Single Stone Studios over the entry that always makes me happy to see it. There are the wooden screens I made for either side of the entry door, and  pillows by Katie Benson on my couch. It's all accumulated over the years- a purchase here, a gift there. :) And slowly... slowly... the house is starting to come together. As soon as the bathroom is done I'll show you guys the before and after and I guarantee it'll be a shocker. Just to forewarn you- we still had icky brown shag carpeting on the bathroom floor before this remodel. Of course, there wasn't much shag left to it after 20 + years, but you get the drift. BIG changes. Which reminds me, I should probably wrap this up, and go finish that trim. :)

Have a great day!!!!

Friday, May 20, 2011

Resources and Tips for Publishing Your Art

From talking with some of you, and others, I know that publishing your art is a goal. How to achieve that goal is a topic that usually comes with a lot of questions. So yesterday I began compiling some info that I've found to be helpful and have posted them as a page here at Art as Usual (look up and under the blog header you'll see it). This is a total work in progress, and I plan to add more info and links as I can. But I think I have enough info here to get you started if this is, in fact, a dream of yours. So take a look, and know that you can be published. 

I'm off now to finish up some prep for my Author Night tonight over at the Studio at Rush Creek. I'm hoping to see some of you who are local, there. I think it'll be fun and am excited to be spending time with some other crafty guys and girls.I hope that you too, whatever your plans are, have a fabulous evening tonight. :)

Wednesday, May 18, 2011

Where Did Your Artist Go?

I used to teach art to elementary students. It was fascinating to watch the sheer abandon the younger children had as they fearlessly smeared paint across paper, mixing colors, obscuring the white. They painted for the joy of it, and because they wanted to feel it, to see it, and to find out what happens. Art for them was an experience to be enjoyed. I noticed though that as I moved up in the grades, teaching older and older children that they learned to be self critical fairly quickly. Art became a skill to be learned and those who could draw or paint were the only one's who still enjoyed it and really it's questionable how much they even enjoyed it. I'd hear even the most gifted students talking disparagingly about their work. They didn't get the hands right, or the perspective, or the color. Often teachers who were teaching art like any other subject would judge the art critically with the idea that they needed to assign a grade. Without being artists themselves they judged as best they could on the technical things. Does it look right? Did the students use the "right" colors, did they show a proficiency? These things became the criteria for "good art".

When I teach I try to encourage my students not to judge their work. I try to show the difference between a self critique, where you look at your work and propose to yourself what you might do different, or how you could have solved such and such a problem, and a self criticism where you basically tell yourself that what you did is wrong or bad. The second is the trap I think we all get stuck in, as we begin to compare what we did to what we see as ideal and if it fails to measure we take that as an internal blow to our very selves. We judge ourselves on our ability, our work, and how we measure up to others.

Is it any wonder that so many drop art as an interest as they get older? Academia very squarely puts art in the "elective" category, and as something that isn't as important as other classes. Looking down the road, the career of the artist is murky, the road unclear. This contrasts drastically with other possible careers that have a clear path delineated as well as a projected salary scale. That murkiness gets worse when we believe we have to have "talent" as well as skill. Talent is not quantifiable, it's something we feel we need to be labeled by others with. To label ourselves as talented is simply not done. So we need skill, we need talent, we need a career path, the list of things we think artists must have is long. It gets longer when we add things out of fear, like an artist needs to sell their work, an artist needs to be obsessed, or we'll even decide that a true artist spirit is a touch crazy or unstable. The perception of the starving artist makes this uncertainty worse. What is your list? What do you believe an artist is? How would you describe one?

It's not a pretty picture. Yet so many of us hit our twenties, or thirties, or fifties, with a desire deep within us to be an artist. It's a dream that doesn't die although we try to satisfy it with a career in design or decor or education. It's just not the same and we feel that difference. We sometimes ache with it. But by now we have more perceived strikes against us. We may be busy with a family that requires us to sacrifice our time and desires, we may have debt that we feel ties us to a job that gives us the ability to pay it, we may have a lucrative career we spent years carving for ourselves that we just can't see walking away from. We may have a job that allows us to help others and it's hard to find value in something that we feel only helps ourselves. The list again is long and overwhelming. Yet that desire doesn't die. We become frustrated, crabby, twisted or resentful as the older we grow the more aware we are of time, and how we spend it or don't.

And we're fearful. So fearful of wasting our or others time or money on our dream. If it weren't for that inborn desire I don't believe there were would be any artists out there at all. It propels us against our good sense to take that online course, to browse the art section of the library and come home with a stack of books to work from, to find the blogs of other creatives, to walk into the art or fabric store and stay even if it's uncomfortable. To spend our small amounts of time creating and our small amount of play money on supplies. Because for every little bit we make, we discover that we were wrong. We can do it, we can make something and that act of creating is an act of self discovery that awakes and exhilarates us. We look at the evidence, that something we created and try to realize that this really did come from inside us. We're amazed because we still weren't sure if we could. That's the beginning. It starts with the desire to create and truly begins once we've taken the action to create. 

But even then the fear can intensify and the self criticism returns even more forcibly. We wonder who we think we are to be doing this at our age, or without a background in art, or a degree. It seems audacious of us and that I think can make us feel ridiculous. But thankfully I think that internal desire and love for the act of creation rescues us. It's not something we can help, this want to make something, to pull something out from within us. We must do it. We become artists in spite of ourselves but are oh so careful to call ourselves something else, in case someone misunderstands. We claim to be a crafter, or a hobbyist, or someone who likes to dabble. It may take us fifty years or more til we can claim again, as we did as children, that we are artists. It's a seemingly sad story but if we concentrate on it as a journey I think we can be a little more understanding of ourselves. Because in a journey it doesn't necessarily matter how long it takes you to get someplace, just that you set out and that eventually you reached a place you want to be. Twenty, thirty, fifty years, it doesn't matter- you're there now. That matters and I believe our hearts recognize that. We become different people, who enjoy and encourage others. Who are excited and maybe a little obsessed. But that rightness and joy in creating is just so great that it assures us that this is what we were meant to do, this is what we need to do, and this is what we were made to do.

It's a horribly long blog post today, but sometimes I get a little possessed myself and find a message I want to share. So I hope that whoever it was that today's blog was meant for  takes it to heart and feels encouraged in whatever stage of the journey they are at. You are doing just what you were meant to do- just believe it. :)